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30. Uluslararası Film Festivali 2-17 Nisan 2011 Close
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SCREENINGS
11.00
13.30
16.00
19.00
21.30
24.00
Atlas
Beyoğlu
İtalyanKM
Pera M.
Kanyon
City's 7
City's 3
Rexx 1
Rexx 5
Zorlu
Film
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THE DEATH OF LOUIS XIV 14. LOUİS’NİN ÖLÜMÜ
ANA, MON AMOUR ANA, SEVGİLİM
AFTERIMAGE ARDIL GÖRÜNTÜ
MISTER UNIVERSO BAY KÂİNAT
ON BODY AND SOUL BEDEN VE RUH
I AM NOT MADAME BOVARY BEN MADAME BOVARY DEĞİLİM
A WOMAN’S LIFE BİR YAŞAM
BEYOND THE MOUNTAINS AND HILLS DAĞLARIN TEPELERİN ARDINDA
SAMI BLOOD DEĞİŞİM
THE FIXER FİXER
NIGHTLIFE GECE HAYATI
ON THE BEACH AT NIGHT ALONE GECE SAHİLDE TEK BAŞINA
YOURSELF AND YOURS KENDİN VE SEN
HEAL THE LIVING KESİŞEN HAYATLAR
PYROMANIAC KUNDAKÇI
WOLF AND SHEEP KURTLA KUZU
INVERSION NİLÜFER’İN KARARI
FANNY’S JOURNEY ÖZGÜRLÜĞE DOĞRU
PORTO PORTO
THE DISTINGUISHED CITIZEN SAYGIN VATANDAŞ
SCARRED HEARTS YARALI KALPLER
LIVING AND OTHER FICTIONS YAŞAMAK VE DİĞER ŞEYLER
PROGRAM

BEST OF THE FESTS

Festival Schedule
Festival Schedule
0 1 2 3 4 5 6 7
BEYOND THE MOUNTAINS AND HILLS | ME’EVER LAHARIM VEHAGVAOT | Director: Eran Kolirin / Screenplay: Eran Kolirin / DOP: Shaai Goldman / Editing: Arik Lahav-Leibovich / Original Music: Asher Goldschmidt / Cast: Alon Pdut, Mili Eshet, Shiree Nadav-Naor, Noam İmber, Yoav Rothman / Producer: Eilon Ratzkovsky, Yochanan Kredo, Yossi Uzrad, Lisa Shiloach Uzrad, Guy Jacoel / Production Co.: July August Productions, Entre Chien Et Loup, Match Factory Productions / World Sales: The Match Factory / Israel, Germany, Belgium / 2016 / DCP / Colour / 90´ / Hebrew; Turkish, English s.t.
SCREENINGS

06.04.2017
16:00
Atlas *

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08.04.2017
11:00
Rexx 1

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13.04.2017
13:30
City's 3

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Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

2016 JERUSALEM Best Actress (S. Nadav-Naor)

The Greenbaum family is seemingly perfect. When David returns home after serving 27 years in the Israeli army, the distress and unnerve instilled both in his family and the society itself will surface and seep. In his third feature, Eran Kolirin scrutinizes the state through the degenerated notion of family. Premiered at A Certain Regard section of the Cannes, Beyond the Mountains and Hills is a prime example of outspoken cinema where a nameless and undistinguished sense of guilt is elaborated.