Sunday, April 15

Today's screenings with the participation of directors, producers, or actors:

  • Colorless Dream from “National Competition” at 11:00 at Atlas Sineması, with the participation of the director Mehmet Ali Konar;
  • Muhi – Generally Temporary from the section “Human Rights in Cinema Competition” at 11:00 at Beyoğlu Sineması, with the participation of the directors Rina Castelnuovo-Hollander and Tamir Elterman;
  • Cocote from “National Competition” at 11:00 at Cinemaximum City’s Nişantaşı 7th Hall, with the participation of the director Nelson Carlo de Los Santos Arias;
  • Four Cornered Triangle from “Out of Competition” at 13:30 at Beyoğlu Sineması, with the participation of the director Mehmet Güreli;
  • The films in the section “National Short Film Competition” at 13:30 and at 16:00 at Pera Museum Auditorium, with the participation of the directors;
  • Manuel from “Young Masters” at 13:30 at Cinemaximum City’s Nişantaşı 3rd Hall, with the participation of the director Dario Albertini;
  • Out from “National Competition” at 13:30 at Cinemaximum Zorlu Center, with the participation of the director György Kristof;
  • Once Upon a Time in November from “National Competition” at 13:30 at Kadıköy Sineması, with the participation of the director Andrzej Jakimowski and the production designer Ewa Jakimowska;
  • Nothingwood from “Antidepressant” at 16:00 at Atlas Sineması, with the participation of the director Sonia Kronlund and the star Salim Shaheen;
  • Birds Are Singing in Kigali from “Human Rights in Cinema Competition” at 16:00 at Beyoğlu Sineması, with the participation of co-director Joanna Kos-Krauze;
  • Winter Brothers from “International Competition” at 16:00 at Cinemaximum City’s Nişantaşı 7th Hall, with the participation of one of the actors Elliot Crosset Hove;
  • Love Me No from “Mined Zone” at 16:00 at Cinemaximum City’s Nişantaşı 3rd Hall, with the participation of the director Alexandros Avranas and actress Eleni Roussinou;
  • Dhogs from “Mined Zone” at 16:00 at Cinemaximum Zorlu Center, with the participation of the director Andrés Goteira;
  • Sideway from “National Competition” at 19:00 at Atlas Sineması, with the participation of the director Tayfun Pirselimoğlu;
  • The Marriage from “Where Are You My Love?” at 19:00 at Cinemaximum City’s Nişantaşı 3rd Hall, with the participation of the director Blerta Zeqiri and the producer Keka Kreshnik Berisha;
  • Ava from “No More Flowers” at 19:00 at Cinemaximum Zorlu Center, with the participation of the director Léa Mysius and actress Noée Abita;
  • Once Upon a Time in Indian Country from the section “Young Masters” at 19:00 at Rexx Sineması with the participation of the director İlker Çatak and the actors Leonard Scheicher and Johanna Polley;
  • The Shoelace from “Out of Competition” at 21:30 at Beyoğlu Sineması, with the participation of the director Görkem Yeltan;
  • Love and Bullets from “Antidepressant” at 21:30 at Cinemaximum City’s Nişantaşı 3rd Hall, with the participation of its soundtrack artist Pivio;
  • Good Manners from “International Competition” at 21:30 at Kadıköy Sineması, with the participation of the actress Isabél Zuaa;

Events:

On photography, cinema and visual art with Shirin Neshat …

Iranian born, New Yorker artist and filmmaker Shirin Neshat is among this year’s jury of “Human Rights in Cinema Competition”. The artist’s early works of video were predominantly of political content and criticism but she has lately shifted to more poetic descriptions and complicated narrations, and she has had her works of photography, video and film exhibited, shown and become part of many important collections. Her first feature film Women without Men filmed in 2009, she won the Silver Lion Award in the category of Best Director in Venice Film Festival; and her second feature film Looking for Oum Kulthum is among the Istanbul Film Festival’s films of this year. Shirin Neshat will be sharing her thoughts and experiences of photography, cinema and visual art at 14:00 at Yapı Kredi Kültür Sanat, and the talk will be moderated by film critic Esin Küçüktepepınar.

Yukarı